Why did this image turn out darker?












4















In this tutorial on creating christmas themed images the author describes how she adjusted her exposure settings to add more weight to the christmas lights





She says she went from f/2.8 and 1/3 of a second to f/3.2 and three seconds exposures.
It seems the difference in aperture (not even a doubling in light intensity) would not compensate for the increased light intensity of the ten times decrease in shutter speed. Is this correct?



source https://expertphotography.com/how-to-photograph-christmas-lights/










share|improve this question




















  • 1





    myself, i'm wondering what 1/3 c is supposed to mean. you translate it as 1/3 of a second, but is that a given?

    – ths
    11 hours ago













  • If you search this site for 'Mixed Lighting' you'll get a ton of info as well. Also, this blog is almost legendary when it comes to learning: strobist.blogspot.com

    – Hueco
    9 hours ago






  • 3





    @ths if not a typo...obscure reference to c as the constant speed of light maybe?

    – Hueco
    8 hours ago


















4















In this tutorial on creating christmas themed images the author describes how she adjusted her exposure settings to add more weight to the christmas lights





She says she went from f/2.8 and 1/3 of a second to f/3.2 and three seconds exposures.
It seems the difference in aperture (not even a doubling in light intensity) would not compensate for the increased light intensity of the ten times decrease in shutter speed. Is this correct?



source https://expertphotography.com/how-to-photograph-christmas-lights/










share|improve this question




















  • 1





    myself, i'm wondering what 1/3 c is supposed to mean. you translate it as 1/3 of a second, but is that a given?

    – ths
    11 hours ago













  • If you search this site for 'Mixed Lighting' you'll get a ton of info as well. Also, this blog is almost legendary when it comes to learning: strobist.blogspot.com

    – Hueco
    9 hours ago






  • 3





    @ths if not a typo...obscure reference to c as the constant speed of light maybe?

    – Hueco
    8 hours ago
















4












4








4


2






In this tutorial on creating christmas themed images the author describes how she adjusted her exposure settings to add more weight to the christmas lights





She says she went from f/2.8 and 1/3 of a second to f/3.2 and three seconds exposures.
It seems the difference in aperture (not even a doubling in light intensity) would not compensate for the increased light intensity of the ten times decrease in shutter speed. Is this correct?



source https://expertphotography.com/how-to-photograph-christmas-lights/










share|improve this question
















In this tutorial on creating christmas themed images the author describes how she adjusted her exposure settings to add more weight to the christmas lights





She says she went from f/2.8 and 1/3 of a second to f/3.2 and three seconds exposures.
It seems the difference in aperture (not even a doubling in light intensity) would not compensate for the increased light intensity of the ten times decrease in shutter speed. Is this correct?



source https://expertphotography.com/how-to-photograph-christmas-lights/







flash exposure lighting off-camera-flash






share|improve this question















share|improve this question













share|improve this question




share|improve this question








edited 9 hours ago









Hueco

11.3k32754




11.3k32754










asked 11 hours ago









LevonLevon

1375




1375








  • 1





    myself, i'm wondering what 1/3 c is supposed to mean. you translate it as 1/3 of a second, but is that a given?

    – ths
    11 hours ago













  • If you search this site for 'Mixed Lighting' you'll get a ton of info as well. Also, this blog is almost legendary when it comes to learning: strobist.blogspot.com

    – Hueco
    9 hours ago






  • 3





    @ths if not a typo...obscure reference to c as the constant speed of light maybe?

    – Hueco
    8 hours ago
















  • 1





    myself, i'm wondering what 1/3 c is supposed to mean. you translate it as 1/3 of a second, but is that a given?

    – ths
    11 hours ago













  • If you search this site for 'Mixed Lighting' you'll get a ton of info as well. Also, this blog is almost legendary when it comes to learning: strobist.blogspot.com

    – Hueco
    9 hours ago






  • 3





    @ths if not a typo...obscure reference to c as the constant speed of light maybe?

    – Hueco
    8 hours ago










1




1





myself, i'm wondering what 1/3 c is supposed to mean. you translate it as 1/3 of a second, but is that a given?

– ths
11 hours ago







myself, i'm wondering what 1/3 c is supposed to mean. you translate it as 1/3 of a second, but is that a given?

– ths
11 hours ago















If you search this site for 'Mixed Lighting' you'll get a ton of info as well. Also, this blog is almost legendary when it comes to learning: strobist.blogspot.com

– Hueco
9 hours ago





If you search this site for 'Mixed Lighting' you'll get a ton of info as well. Also, this blog is almost legendary when it comes to learning: strobist.blogspot.com

– Hueco
9 hours ago




3




3





@ths if not a typo...obscure reference to c as the constant speed of light maybe?

– Hueco
8 hours ago







@ths if not a typo...obscure reference to c as the constant speed of light maybe?

– Hueco
8 hours ago












3 Answers
3






active

oldest

votes


















1














We don’t know exactly what 1/3 C means but we can surmise it a typo and should read 1/3 of a second.



Assuming this is true, how come the second shot, using a shutter speed of 3 seconds, is not overexposed? This might be a mistake, however, the text of the example you cited reveals the author used an electronic flash as the main light source.



In your mind, the difference between 1/3 of a second and 3 seconds is 10X. True, but this is photography- think of it as 3 stops --- additionally, an electronic flash outputs a flash of light that averages about 1/1000 of a second in duration. The key to understanding the difference in these two shots ---- the flash contributed equally to both images. It flashed and then extinguished. The difference in exposure is simply the accumulation of the ambient light, not the flash. We don’t know much about the ambient light except to say, it was likely feeble. Stopping down the lens reduced the exposure.






share|improve this answer

































    9














    So, what you have here is a mixed lighting situation. The background and star notes are being lit via flash (check out their shadows. Nice and soft and from top to bottom. The main bulb cluster is on the left and yet it has no impact on those shadows) and the bulbs themselves are being lit...by themselves :-).



    (There's probably a speedlight with a soft box on it or some other softening light modifier and it's placed north of the shooter, aiming down. When looking at lighting, always look to the shadows to get an idea of where it came from and how soft it was)



    In these types of images, the flash is controlled by:




    • its power level

    • aperture

    • ISO


    The amount of light captured by the bulbs is controlled by:




    • ISO

    • aperture

    • shutter speed


    As you can see, there's overlap there but also two unique controls: the bulbs are the only thing affected by shutter speed while the flash is the only thing affected by changes to its power level.



    So, in changing the exposure from f/2.8 to f/3.2 — the shooter brought down the amount of light processed from the flash (you can see that the highlights on the notes are less hot in the second example). They brought it down by 2/3 of a stop.



    Now, that would also bring down the light captured from the bulbs by 2/3 of a stop. BUT, they also brought the shutter speed from 1/3 to 3s (~just over 3 stops), increasing the the total amount of light captured from the bulbs by ~2.5-3 stops.



    So, in the end, the amount of flash captured was brought down while the amount of ambient (the bulbs) was brought up.





    See technique 2 in my answer here. It's a similar mixed lighting shot and another idea for you to test mixing flash and bulbs. Mixed lighting is a whole subset of lighting technique, there is a lot to it, but damn if it isn't a lot of fun.






    share|improve this answer


























    • An excellent method, and an example of why not being scared to learn to use a flash is such a useful tool in photography. I would also find it highly ironic if the article writers took this root, given that they opened the piece with basically "don't bother with flash..." - Feels like a good reminder to take photo articles with a grain of salt I guess?

      – TheLuckless
      9 hours ago






    • 2





      @TheLuckless Definite yes on the NaCl. Though, I did check out the article and it does mention using a speedlight as a main. That being said, it does far too little to actually describe the method, especially to a technical enough degree for a beginner to replicate. So, yea, this is a bit too photo-click-baity for my tastes. Good thing SE exists :-)

      – Hueco
      9 hours ago



















    0














    Edit: reading the complete article in detail over lunch rather than the section in question and skimming the rest, the main source is a speedlight, which I missed while searching for more uses of 'flash' from the start of the article. - See Hueco's for the more detailed answer of what's going on with the dual exposure.



    Possibly a typo in the article (Photography websites aren't exactly renowned for rigorous peer review or anything.) or they've glossed over some additional post work.




    • Second photo does kind of look like it may have a gradient filter applied, and/or its levels played with. The main point of that section seems to be referring more to the concept of using a longer shutter time to capture more of that glow/scattering effect from the lights, moreso than a focus on nailing 'correct' exposure
      (article section TL:DR boils down to "Seeing weak effects from the light? Change to a longer exposure time and adjust as needed.)






    share|improve this answer










    New contributor




    TheLuckless is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
    Check out our Code of Conduct.





















    • Do you capture more glow because it is assumed you lower the aperture size?

      – Levon
      10 hours ago






    • 2





      Partly. The 'glow' that surrounds a light source is from different forms of light scattering - Increasing capture time grabs more of it from more places. Similar thing with light painting in a way - You're not recording 'a' glow, you're recording the glow over time as light gets scattered to your lens from different points. (You could also add fog to give more 'stuff' for the light to scatter off of, but that gets tricky to control.) Think of the difference in photographing a swarm of fireflies at 1/1000th of a second vs 10 seconds. Odds are more will be 'on' during some part of the 10s.

      – TheLuckless
      10 hours ago











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    3 Answers
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    3 Answers
    3






    active

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    active

    oldest

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    active

    oldest

    votes









    1














    We don’t know exactly what 1/3 C means but we can surmise it a typo and should read 1/3 of a second.



    Assuming this is true, how come the second shot, using a shutter speed of 3 seconds, is not overexposed? This might be a mistake, however, the text of the example you cited reveals the author used an electronic flash as the main light source.



    In your mind, the difference between 1/3 of a second and 3 seconds is 10X. True, but this is photography- think of it as 3 stops --- additionally, an electronic flash outputs a flash of light that averages about 1/1000 of a second in duration. The key to understanding the difference in these two shots ---- the flash contributed equally to both images. It flashed and then extinguished. The difference in exposure is simply the accumulation of the ambient light, not the flash. We don’t know much about the ambient light except to say, it was likely feeble. Stopping down the lens reduced the exposure.






    share|improve this answer






























      1














      We don’t know exactly what 1/3 C means but we can surmise it a typo and should read 1/3 of a second.



      Assuming this is true, how come the second shot, using a shutter speed of 3 seconds, is not overexposed? This might be a mistake, however, the text of the example you cited reveals the author used an electronic flash as the main light source.



      In your mind, the difference between 1/3 of a second and 3 seconds is 10X. True, but this is photography- think of it as 3 stops --- additionally, an electronic flash outputs a flash of light that averages about 1/1000 of a second in duration. The key to understanding the difference in these two shots ---- the flash contributed equally to both images. It flashed and then extinguished. The difference in exposure is simply the accumulation of the ambient light, not the flash. We don’t know much about the ambient light except to say, it was likely feeble. Stopping down the lens reduced the exposure.






      share|improve this answer




























        1












        1








        1







        We don’t know exactly what 1/3 C means but we can surmise it a typo and should read 1/3 of a second.



        Assuming this is true, how come the second shot, using a shutter speed of 3 seconds, is not overexposed? This might be a mistake, however, the text of the example you cited reveals the author used an electronic flash as the main light source.



        In your mind, the difference between 1/3 of a second and 3 seconds is 10X. True, but this is photography- think of it as 3 stops --- additionally, an electronic flash outputs a flash of light that averages about 1/1000 of a second in duration. The key to understanding the difference in these two shots ---- the flash contributed equally to both images. It flashed and then extinguished. The difference in exposure is simply the accumulation of the ambient light, not the flash. We don’t know much about the ambient light except to say, it was likely feeble. Stopping down the lens reduced the exposure.






        share|improve this answer















        We don’t know exactly what 1/3 C means but we can surmise it a typo and should read 1/3 of a second.



        Assuming this is true, how come the second shot, using a shutter speed of 3 seconds, is not overexposed? This might be a mistake, however, the text of the example you cited reveals the author used an electronic flash as the main light source.



        In your mind, the difference between 1/3 of a second and 3 seconds is 10X. True, but this is photography- think of it as 3 stops --- additionally, an electronic flash outputs a flash of light that averages about 1/1000 of a second in duration. The key to understanding the difference in these two shots ---- the flash contributed equally to both images. It flashed and then extinguished. The difference in exposure is simply the accumulation of the ambient light, not the flash. We don’t know much about the ambient light except to say, it was likely feeble. Stopping down the lens reduced the exposure.







        share|improve this answer














        share|improve this answer



        share|improve this answer








        edited 8 hours ago









        BobT

        3,757922




        3,757922










        answered 8 hours ago









        Alan MarcusAlan Marcus

        25.6k23060




        25.6k23060

























            9














            So, what you have here is a mixed lighting situation. The background and star notes are being lit via flash (check out their shadows. Nice and soft and from top to bottom. The main bulb cluster is on the left and yet it has no impact on those shadows) and the bulbs themselves are being lit...by themselves :-).



            (There's probably a speedlight with a soft box on it or some other softening light modifier and it's placed north of the shooter, aiming down. When looking at lighting, always look to the shadows to get an idea of where it came from and how soft it was)



            In these types of images, the flash is controlled by:




            • its power level

            • aperture

            • ISO


            The amount of light captured by the bulbs is controlled by:




            • ISO

            • aperture

            • shutter speed


            As you can see, there's overlap there but also two unique controls: the bulbs are the only thing affected by shutter speed while the flash is the only thing affected by changes to its power level.



            So, in changing the exposure from f/2.8 to f/3.2 — the shooter brought down the amount of light processed from the flash (you can see that the highlights on the notes are less hot in the second example). They brought it down by 2/3 of a stop.



            Now, that would also bring down the light captured from the bulbs by 2/3 of a stop. BUT, they also brought the shutter speed from 1/3 to 3s (~just over 3 stops), increasing the the total amount of light captured from the bulbs by ~2.5-3 stops.



            So, in the end, the amount of flash captured was brought down while the amount of ambient (the bulbs) was brought up.





            See technique 2 in my answer here. It's a similar mixed lighting shot and another idea for you to test mixing flash and bulbs. Mixed lighting is a whole subset of lighting technique, there is a lot to it, but damn if it isn't a lot of fun.






            share|improve this answer


























            • An excellent method, and an example of why not being scared to learn to use a flash is such a useful tool in photography. I would also find it highly ironic if the article writers took this root, given that they opened the piece with basically "don't bother with flash..." - Feels like a good reminder to take photo articles with a grain of salt I guess?

              – TheLuckless
              9 hours ago






            • 2





              @TheLuckless Definite yes on the NaCl. Though, I did check out the article and it does mention using a speedlight as a main. That being said, it does far too little to actually describe the method, especially to a technical enough degree for a beginner to replicate. So, yea, this is a bit too photo-click-baity for my tastes. Good thing SE exists :-)

              – Hueco
              9 hours ago
















            9














            So, what you have here is a mixed lighting situation. The background and star notes are being lit via flash (check out their shadows. Nice and soft and from top to bottom. The main bulb cluster is on the left and yet it has no impact on those shadows) and the bulbs themselves are being lit...by themselves :-).



            (There's probably a speedlight with a soft box on it or some other softening light modifier and it's placed north of the shooter, aiming down. When looking at lighting, always look to the shadows to get an idea of where it came from and how soft it was)



            In these types of images, the flash is controlled by:




            • its power level

            • aperture

            • ISO


            The amount of light captured by the bulbs is controlled by:




            • ISO

            • aperture

            • shutter speed


            As you can see, there's overlap there but also two unique controls: the bulbs are the only thing affected by shutter speed while the flash is the only thing affected by changes to its power level.



            So, in changing the exposure from f/2.8 to f/3.2 — the shooter brought down the amount of light processed from the flash (you can see that the highlights on the notes are less hot in the second example). They brought it down by 2/3 of a stop.



            Now, that would also bring down the light captured from the bulbs by 2/3 of a stop. BUT, they also brought the shutter speed from 1/3 to 3s (~just over 3 stops), increasing the the total amount of light captured from the bulbs by ~2.5-3 stops.



            So, in the end, the amount of flash captured was brought down while the amount of ambient (the bulbs) was brought up.





            See technique 2 in my answer here. It's a similar mixed lighting shot and another idea for you to test mixing flash and bulbs. Mixed lighting is a whole subset of lighting technique, there is a lot to it, but damn if it isn't a lot of fun.






            share|improve this answer


























            • An excellent method, and an example of why not being scared to learn to use a flash is such a useful tool in photography. I would also find it highly ironic if the article writers took this root, given that they opened the piece with basically "don't bother with flash..." - Feels like a good reminder to take photo articles with a grain of salt I guess?

              – TheLuckless
              9 hours ago






            • 2





              @TheLuckless Definite yes on the NaCl. Though, I did check out the article and it does mention using a speedlight as a main. That being said, it does far too little to actually describe the method, especially to a technical enough degree for a beginner to replicate. So, yea, this is a bit too photo-click-baity for my tastes. Good thing SE exists :-)

              – Hueco
              9 hours ago














            9












            9








            9







            So, what you have here is a mixed lighting situation. The background and star notes are being lit via flash (check out their shadows. Nice and soft and from top to bottom. The main bulb cluster is on the left and yet it has no impact on those shadows) and the bulbs themselves are being lit...by themselves :-).



            (There's probably a speedlight with a soft box on it or some other softening light modifier and it's placed north of the shooter, aiming down. When looking at lighting, always look to the shadows to get an idea of where it came from and how soft it was)



            In these types of images, the flash is controlled by:




            • its power level

            • aperture

            • ISO


            The amount of light captured by the bulbs is controlled by:




            • ISO

            • aperture

            • shutter speed


            As you can see, there's overlap there but also two unique controls: the bulbs are the only thing affected by shutter speed while the flash is the only thing affected by changes to its power level.



            So, in changing the exposure from f/2.8 to f/3.2 — the shooter brought down the amount of light processed from the flash (you can see that the highlights on the notes are less hot in the second example). They brought it down by 2/3 of a stop.



            Now, that would also bring down the light captured from the bulbs by 2/3 of a stop. BUT, they also brought the shutter speed from 1/3 to 3s (~just over 3 stops), increasing the the total amount of light captured from the bulbs by ~2.5-3 stops.



            So, in the end, the amount of flash captured was brought down while the amount of ambient (the bulbs) was brought up.





            See technique 2 in my answer here. It's a similar mixed lighting shot and another idea for you to test mixing flash and bulbs. Mixed lighting is a whole subset of lighting technique, there is a lot to it, but damn if it isn't a lot of fun.






            share|improve this answer















            So, what you have here is a mixed lighting situation. The background and star notes are being lit via flash (check out their shadows. Nice and soft and from top to bottom. The main bulb cluster is on the left and yet it has no impact on those shadows) and the bulbs themselves are being lit...by themselves :-).



            (There's probably a speedlight with a soft box on it or some other softening light modifier and it's placed north of the shooter, aiming down. When looking at lighting, always look to the shadows to get an idea of where it came from and how soft it was)



            In these types of images, the flash is controlled by:




            • its power level

            • aperture

            • ISO


            The amount of light captured by the bulbs is controlled by:




            • ISO

            • aperture

            • shutter speed


            As you can see, there's overlap there but also two unique controls: the bulbs are the only thing affected by shutter speed while the flash is the only thing affected by changes to its power level.



            So, in changing the exposure from f/2.8 to f/3.2 — the shooter brought down the amount of light processed from the flash (you can see that the highlights on the notes are less hot in the second example). They brought it down by 2/3 of a stop.



            Now, that would also bring down the light captured from the bulbs by 2/3 of a stop. BUT, they also brought the shutter speed from 1/3 to 3s (~just over 3 stops), increasing the the total amount of light captured from the bulbs by ~2.5-3 stops.



            So, in the end, the amount of flash captured was brought down while the amount of ambient (the bulbs) was brought up.





            See technique 2 in my answer here. It's a similar mixed lighting shot and another idea for you to test mixing flash and bulbs. Mixed lighting is a whole subset of lighting technique, there is a lot to it, but damn if it isn't a lot of fun.







            share|improve this answer














            share|improve this answer



            share|improve this answer








            edited 9 hours ago









            mattdm

            121k40356649




            121k40356649










            answered 10 hours ago









            HuecoHueco

            11.3k32754




            11.3k32754













            • An excellent method, and an example of why not being scared to learn to use a flash is such a useful tool in photography. I would also find it highly ironic if the article writers took this root, given that they opened the piece with basically "don't bother with flash..." - Feels like a good reminder to take photo articles with a grain of salt I guess?

              – TheLuckless
              9 hours ago






            • 2





              @TheLuckless Definite yes on the NaCl. Though, I did check out the article and it does mention using a speedlight as a main. That being said, it does far too little to actually describe the method, especially to a technical enough degree for a beginner to replicate. So, yea, this is a bit too photo-click-baity for my tastes. Good thing SE exists :-)

              – Hueco
              9 hours ago



















            • An excellent method, and an example of why not being scared to learn to use a flash is such a useful tool in photography. I would also find it highly ironic if the article writers took this root, given that they opened the piece with basically "don't bother with flash..." - Feels like a good reminder to take photo articles with a grain of salt I guess?

              – TheLuckless
              9 hours ago






            • 2





              @TheLuckless Definite yes on the NaCl. Though, I did check out the article and it does mention using a speedlight as a main. That being said, it does far too little to actually describe the method, especially to a technical enough degree for a beginner to replicate. So, yea, this is a bit too photo-click-baity for my tastes. Good thing SE exists :-)

              – Hueco
              9 hours ago

















            An excellent method, and an example of why not being scared to learn to use a flash is such a useful tool in photography. I would also find it highly ironic if the article writers took this root, given that they opened the piece with basically "don't bother with flash..." - Feels like a good reminder to take photo articles with a grain of salt I guess?

            – TheLuckless
            9 hours ago





            An excellent method, and an example of why not being scared to learn to use a flash is such a useful tool in photography. I would also find it highly ironic if the article writers took this root, given that they opened the piece with basically "don't bother with flash..." - Feels like a good reminder to take photo articles with a grain of salt I guess?

            – TheLuckless
            9 hours ago




            2




            2





            @TheLuckless Definite yes on the NaCl. Though, I did check out the article and it does mention using a speedlight as a main. That being said, it does far too little to actually describe the method, especially to a technical enough degree for a beginner to replicate. So, yea, this is a bit too photo-click-baity for my tastes. Good thing SE exists :-)

            – Hueco
            9 hours ago





            @TheLuckless Definite yes on the NaCl. Though, I did check out the article and it does mention using a speedlight as a main. That being said, it does far too little to actually describe the method, especially to a technical enough degree for a beginner to replicate. So, yea, this is a bit too photo-click-baity for my tastes. Good thing SE exists :-)

            – Hueco
            9 hours ago











            0














            Edit: reading the complete article in detail over lunch rather than the section in question and skimming the rest, the main source is a speedlight, which I missed while searching for more uses of 'flash' from the start of the article. - See Hueco's for the more detailed answer of what's going on with the dual exposure.



            Possibly a typo in the article (Photography websites aren't exactly renowned for rigorous peer review or anything.) or they've glossed over some additional post work.




            • Second photo does kind of look like it may have a gradient filter applied, and/or its levels played with. The main point of that section seems to be referring more to the concept of using a longer shutter time to capture more of that glow/scattering effect from the lights, moreso than a focus on nailing 'correct' exposure
              (article section TL:DR boils down to "Seeing weak effects from the light? Change to a longer exposure time and adjust as needed.)






            share|improve this answer










            New contributor




            TheLuckless is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
            Check out our Code of Conduct.





















            • Do you capture more glow because it is assumed you lower the aperture size?

              – Levon
              10 hours ago






            • 2





              Partly. The 'glow' that surrounds a light source is from different forms of light scattering - Increasing capture time grabs more of it from more places. Similar thing with light painting in a way - You're not recording 'a' glow, you're recording the glow over time as light gets scattered to your lens from different points. (You could also add fog to give more 'stuff' for the light to scatter off of, but that gets tricky to control.) Think of the difference in photographing a swarm of fireflies at 1/1000th of a second vs 10 seconds. Odds are more will be 'on' during some part of the 10s.

              – TheLuckless
              10 hours ago
















            0














            Edit: reading the complete article in detail over lunch rather than the section in question and skimming the rest, the main source is a speedlight, which I missed while searching for more uses of 'flash' from the start of the article. - See Hueco's for the more detailed answer of what's going on with the dual exposure.



            Possibly a typo in the article (Photography websites aren't exactly renowned for rigorous peer review or anything.) or they've glossed over some additional post work.




            • Second photo does kind of look like it may have a gradient filter applied, and/or its levels played with. The main point of that section seems to be referring more to the concept of using a longer shutter time to capture more of that glow/scattering effect from the lights, moreso than a focus on nailing 'correct' exposure
              (article section TL:DR boils down to "Seeing weak effects from the light? Change to a longer exposure time and adjust as needed.)






            share|improve this answer










            New contributor




            TheLuckless is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
            Check out our Code of Conduct.





















            • Do you capture more glow because it is assumed you lower the aperture size?

              – Levon
              10 hours ago






            • 2





              Partly. The 'glow' that surrounds a light source is from different forms of light scattering - Increasing capture time grabs more of it from more places. Similar thing with light painting in a way - You're not recording 'a' glow, you're recording the glow over time as light gets scattered to your lens from different points. (You could also add fog to give more 'stuff' for the light to scatter off of, but that gets tricky to control.) Think of the difference in photographing a swarm of fireflies at 1/1000th of a second vs 10 seconds. Odds are more will be 'on' during some part of the 10s.

              – TheLuckless
              10 hours ago














            0












            0








            0







            Edit: reading the complete article in detail over lunch rather than the section in question and skimming the rest, the main source is a speedlight, which I missed while searching for more uses of 'flash' from the start of the article. - See Hueco's for the more detailed answer of what's going on with the dual exposure.



            Possibly a typo in the article (Photography websites aren't exactly renowned for rigorous peer review or anything.) or they've glossed over some additional post work.




            • Second photo does kind of look like it may have a gradient filter applied, and/or its levels played with. The main point of that section seems to be referring more to the concept of using a longer shutter time to capture more of that glow/scattering effect from the lights, moreso than a focus on nailing 'correct' exposure
              (article section TL:DR boils down to "Seeing weak effects from the light? Change to a longer exposure time and adjust as needed.)






            share|improve this answer










            New contributor




            TheLuckless is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
            Check out our Code of Conduct.










            Edit: reading the complete article in detail over lunch rather than the section in question and skimming the rest, the main source is a speedlight, which I missed while searching for more uses of 'flash' from the start of the article. - See Hueco's for the more detailed answer of what's going on with the dual exposure.



            Possibly a typo in the article (Photography websites aren't exactly renowned for rigorous peer review or anything.) or they've glossed over some additional post work.




            • Second photo does kind of look like it may have a gradient filter applied, and/or its levels played with. The main point of that section seems to be referring more to the concept of using a longer shutter time to capture more of that glow/scattering effect from the lights, moreso than a focus on nailing 'correct' exposure
              (article section TL:DR boils down to "Seeing weak effects from the light? Change to a longer exposure time and adjust as needed.)







            share|improve this answer










            New contributor




            TheLuckless is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
            Check out our Code of Conduct.









            share|improve this answer



            share|improve this answer








            edited 6 hours ago





















            New contributor




            TheLuckless is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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            answered 11 hours ago









            TheLucklessTheLuckless

            44414




            44414




            New contributor




            TheLuckless is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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            New contributor





            TheLuckless is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
            Check out our Code of Conduct.






            TheLuckless is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
            Check out our Code of Conduct.













            • Do you capture more glow because it is assumed you lower the aperture size?

              – Levon
              10 hours ago






            • 2





              Partly. The 'glow' that surrounds a light source is from different forms of light scattering - Increasing capture time grabs more of it from more places. Similar thing with light painting in a way - You're not recording 'a' glow, you're recording the glow over time as light gets scattered to your lens from different points. (You could also add fog to give more 'stuff' for the light to scatter off of, but that gets tricky to control.) Think of the difference in photographing a swarm of fireflies at 1/1000th of a second vs 10 seconds. Odds are more will be 'on' during some part of the 10s.

              – TheLuckless
              10 hours ago



















            • Do you capture more glow because it is assumed you lower the aperture size?

              – Levon
              10 hours ago






            • 2





              Partly. The 'glow' that surrounds a light source is from different forms of light scattering - Increasing capture time grabs more of it from more places. Similar thing with light painting in a way - You're not recording 'a' glow, you're recording the glow over time as light gets scattered to your lens from different points. (You could also add fog to give more 'stuff' for the light to scatter off of, but that gets tricky to control.) Think of the difference in photographing a swarm of fireflies at 1/1000th of a second vs 10 seconds. Odds are more will be 'on' during some part of the 10s.

              – TheLuckless
              10 hours ago

















            Do you capture more glow because it is assumed you lower the aperture size?

            – Levon
            10 hours ago





            Do you capture more glow because it is assumed you lower the aperture size?

            – Levon
            10 hours ago




            2




            2





            Partly. The 'glow' that surrounds a light source is from different forms of light scattering - Increasing capture time grabs more of it from more places. Similar thing with light painting in a way - You're not recording 'a' glow, you're recording the glow over time as light gets scattered to your lens from different points. (You could also add fog to give more 'stuff' for the light to scatter off of, but that gets tricky to control.) Think of the difference in photographing a swarm of fireflies at 1/1000th of a second vs 10 seconds. Odds are more will be 'on' during some part of the 10s.

            – TheLuckless
            10 hours ago





            Partly. The 'glow' that surrounds a light source is from different forms of light scattering - Increasing capture time grabs more of it from more places. Similar thing with light painting in a way - You're not recording 'a' glow, you're recording the glow over time as light gets scattered to your lens from different points. (You could also add fog to give more 'stuff' for the light to scatter off of, but that gets tricky to control.) Think of the difference in photographing a swarm of fireflies at 1/1000th of a second vs 10 seconds. Odds are more will be 'on' during some part of the 10s.

            – TheLuckless
            10 hours ago


















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